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Baroque Double Bass
Course Information
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Glossary
Musical Treatises
Chapter 1 - Introduction and Background Information
01. Introduction and Historical Performance Practice (2:42)
02. Essential Concepts (5:59)
03. 18th Century Musical Education (5:15)
04. What if you're using modern equipment? (1:52)
05. Pitch and Temperament (2:45)
Chapter 2 - Right Hand Fundamentals
06. Working With Your Strings and Pizzicato (5:43)
07. Bowing (7:07)
08. Ghosting (5:56)
09. Multiple-bow Gestures (4:05)
10. Three-bow Gestures (1:49)
Chapter 3 - The Slow Bow
11. Intro to the Slow Bow (0:53)
12. Dotted Rhythms (2:45)
13. Messa di Voce (3:11)
14. Bow Vibrato - Part 1 (1:17)
15. Bow Vibrato - Part 2 (1:42)
Chapter 4 - Left Hand Technique
16. Intro to Left Hand Technique (1:05)
17. Frets (4:29)
18. Choosing Fingerings (3:01)
19. Vibrato (2:10)
20. Unisons (2:48)
Chapter 5 - Shaping the Bass Line
21. Shaping the Bass Line (5:05)
22. Bass Line Reductions (2:46)
23. The Principal Notes (2:19)
24. How to Reduce the Bass Line - Air on the G String (4:42)
25. Corrette - Andante (4:35)
26. Corrette - Allegro (2:45)
27. Articulation: Space, signs and slurs (8:52)
28. Cadences and Deceptive Cadences (2:05)
29. Note Lengths and Notes Inégales (4:05)
30. Where to Play Notes Inégales? (0:49)
31. Imitating Text with the Bow (5:28)
32. Bar Groupings - Beethoven Example (3:19)
Chapter 6 - Repertoire Lessons and Performances
33. Chapter Introduction (0:49)
34. Bach, Magnificat - 'Quia Fecit Mihi Magna' (12:27)
35. Handel, Messiah - 'But Who May Abide' (10:11)
36. Corelli, Christmas Concerto (10:04)
37. Bach, Badinerie - Part 1 (8:38)
38. Bach, Badinerie - Part 2 (5:59)
39. Vivaldi, Cello Sonata I. Largo (11:03)
40. Vivaldi, Cello Sonata II. Allegro (10:42)
41. Vivaldi, Cello Sonata III. Largo (9:48)
42. Vivaldi, Cello Sonata IV. Allegro (9:24)
Course Conclusion
43. Course Conclusion (0:47)
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Next Steps
Bonus Section
44. Course Discussion with Geoff Chalmers (12:28)
30. Where to Play Notes Inégales?
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