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Intermediate to Advanced Classical Bass
Course Introduction
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01. Course Introduction (0:42)
NEW - 01b. Developing a Daily Practice Routine (2:44)
Chapter 1 – Thumb Position Technique
02. Introduction to Thumb Position (4th Position) (11:42)
03. Scotland's Burning in 4th Position (2:23)
04. Connecting the Positions (3:47)
NEW - 04b. Building Good Tone in Thumb Position (2:25)
Chapter 2 – Vibrato Technique
05. Approaching Vibrato (4:53)
06. Vibrato in 3rd Position (3:58)
07. Vibrato in 1st Position (2:49)
08. Rhythmic Practice (2:01)
09. Major Scale Practice (2:48)
Chapter 3 – Bow Control
10. Developing Colour and Range (5:01)
11. Developing Dynamic Control - Four Exercises (4:03)
Chapter 4 – Pieces in First and Fourth (Thumb) Position
12. Twinkle (4:50)
13. Mary Had a Little Lamb (2:27)
14. Lightly Row (4:16)
15. Mahler Symphony No. 1 (3:03)
Chapter 5 – Connecting 1st, 3rd and 4th Positions
16. Connecting 1st, 3rd and 4th Positions (2:38)
17. The Seven Year Waltz (2:19)
Chapter 6 – Temple by Andrés Martín, Basic Version
18. Temple (Bass 2) - Performance (2:14)
19. Prep Exercises (7:09)
20. Learning the Piece (10:12)
Chapter 7 – Developing Bow Control
21. Developing String Crossings (6:34)
22. Using the Whole Bow (4:14)
23. Developing Bow Changes (3:59)
NEW - 23b. Staying Relaxed as the Bow Moves Faster (2:36)
Chapter 8 – Music for Meditation by Mason Bynes
24. Music for Meditation - Performance (3:36)
25. Music for Meditation - Lesson (2:41)
Chapter 9 – Moving Between Positions
26. Moving Between the Positions - This Train (4:57)
27. Connecting High and Low Positions - Song of the Dragon (3:51)
Chapter 10 – Droplet by Sam Suggs
28. Droplet - Performance (1:59)
29. Droplet - Prep Exercises (7:42)
30. Droplet - Lesson (11:15)
Chapter 11 – Scales in All Registers
31. D Major - 1 Octave in 4th Position (4:23)
32. C Major - 1 Octave in 4th Position (3:55)
33. F Major - 2 Octave Scale and Arpeggio (4:15)
34. Bb Major - 2 Octave Scale and Arpeggio (3:07)
35. C Major - 2 Octave Scale and Arpeggio (2:49)
36. D Major - 2 Octave Scale and Arpeggio (3:42)
NEW - 36b. Developing Your Own Fingerings (4:13)
Chapter 12 – 5th and 6th Position
37. Introducing 5th Position (7:20)
38. G Major - 3 Octave Scale and Arpeggio (3:41)
39. Introducing 6th Position (3:44)
40. Scotland’s Burning in 6th Position (2:04)
41. Twinkle in 6th Position (3:01)
42. Jason's String Crossing Etude (3:56)
Chapter 13 – Morning Stretch by Dani Brofe
43. Morning Stretch - Performance (1:44)
44. Morning Stretch - Lesson (4:41)
Chapter 14 – Developing Faster Bow Strokes
45. Triplets (3:57)
46. Sixteenth Notes (4:02)
47. Dotted Quarter Note to Eighth Note (3:36)
48. 6/8, Quarter Note to Eighth Note (2:23)
49. Dotted Eighth Note to Sixteenth Note (2:14)
Chapter 15 – Double Stops
50. Double Stops Using Open Strings (5:37)
51. Double Stops with Closed Notes (10:05)
52. Alternating Open Strings and Double Stops (6:59)
Chapter 16 – Decade's End by Craig Butterfield
53. Decade's End - Performance (4:00)
54. Decade's End - Prep Exercises (9:12)
55. Decade's End - Lesson Pt. 1 (14:25)
56. Decade's End - Lesson Pt. 2 (11:00)
Chapter 17 – Bricks Nr.1 by Valentina Ciardelli
57. Bricks Nr.1 - Performance (2:45)
58. Bricks Nr.1 - Lesson Pt. 1 (3:04)
59. Bricks Nr.1 - Lesson Pt. 2 (2:18)
Chapter 18 – Additional Bowing Techniques
60. Understanding Off-the-String Strokes (3:14)
61. Spiccato Scale Exercise (3:44)
62. Extended Techniques (8:57)
63. Playing in Uneven Meters (9:36)
64. The Gauntlet (7:34)
Chapter 19 – Temple by Andrés Martín, Advanced Version
65. Temple (Bass 1) - Performance (2:03)
66. Temple (Bass 1) - Prep Exercises (6:33)
67. Temple (Bass 1) - Lesson (10:15)
Chapter 20 – Ensorceler by Donovan Stokes
68. Ensorceler - Performance (3:04)
69. Ensorceler - Prep Exercises (7:48)
70. Ensorceler - Lesson Pt. 1 (6:57)
71. Ensorceler - Lesson Pt. 2 (13:01)
Chapter 21 – Final Thoughts
72. Course Conclusion (1:35)
Course Feedback
Next Steps
Bonus Section
Interview - Composers and their pieces discussion
Interview - Awesome shifting tips
Interview - Randy Hunt and his Double Bass
Interview - Vibrato Tips
22. Using the Whole Bow
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